PHILADELPHIA – The City of Philadelphia’s Office of Arts, Culture and the Creative Economy (OACCE) and the Bethel Burying Ground Historic Site Memorial Committee (Committee) are pleased to announce the selection and approval of the Bethel Burying Ground Memorial design entitled Her Luxuriant Soil by Karyn Olivier.

“Karyn’s proposal is not only a memorialization of our past, but it also communicates what we value as a city,” said Mayor Jim Kenney. “When they view Her Luxuriant Soil, the people who live in the Queen Village neighborhood and the visitors who come to see this memorial will understand that the City of Philadelphia truly values the diversity of our history and the contributions of African Americans.”

Following a multi-year community engagement process, the City and Committee selected the winning proposal, Her Luxuriant Soil, by the artist team led by Karyn Olivier. The City’s Art Commission approved the proposal yesterday. “The Commissioners found the memorial design by Karyn Olivier to be deep, beautiful, and complex,” said Alan Greenberger, Chair of the Commission. “We are excited about the memorable experience the space will offer visitors.”

The memorial will recognize and celebrate the over 5,000 African Americans buried at the historic Bethel Burying Ground located in Weccacoe Playground in Queen Village. The budget for the Bethel Burying Ground Memorial Project is $1,150,000, which includes the removal of the existing recreation center building by hand and the replacement of the existing tennis court.

The winning Bethel Burying Ground Memorial design will be comprised of multiple elements on the site including an ornate, 19th-century style cemetery entrance gate at the southern edge, welcoming visitors to the Bethel Burying Ground.

White granite and concrete pavers will cover the surface of the cemetery footprint, engraved with inscriptions of the biographies of those interred based on the extensive research of historian Terry Buckalew. Several of the pavers will be treated with a special coating that allows the inscriptions to become visible only in humid or wet weather. Several pavers will remain blank, representing the interred who have not been identified and whose stories have not yet been brought to light.

A continuous, flowing brick pathway will delineate the full footprint of the cemetery. The pathway will extend beyond the western fence line, acknowledging the existence of the cemetery grounds beyond the playground site. Beyond a walkway the brick pathway will also serve as a wall as a buffer between the memorial and the tennis court, as well as a bench that will include a granite “headstone” inscribed with Bethel Burying Ground. Two granite inserts in the wall will be inscribed – one with a quote from Richard Allen, the founder of Mother Bethel AME Church which purchased the land to establish the Bethel Burying Ground cemetery in 1810, and one that presents the words inscribed on the sole headstone removed from the site during the archeological investigation that confirmed the existence of the burying ground.

Throughout the memorial, decorative planters in the form of cradle graves will beautify the park and echo the landscape of 19th century cemeteries. This element will offer the opportunity for community engagement and ceremony, allowing residents and visitors to plant and maintain the decorative vessels, as is the tradition with 19th century cradle graves.

“Through this memorial I hope to create a restorative, regenerative, educational, and beautiful space that allows descendants, neighbors, Philadelphians and visitors to contemplate and honor those buried here,” said artist Karyn Olivier. “My hope is that it will extend an acknowledgement of the profundity, challenge and resilience of the lives of the African Americans who resided in the surrounding streets. With this work, I aim to tether commemoration to healing and the ephemeral to the enduring—an intentional navigation between two sites, two spaces: an early 19th century Black cemetery and a present-day playground.”

“The community has been involved in the development of this memorial since the existence of the Bethel Burying Ground was brought to light in 2010,” said Councilmember Mark Squilla. “I believe this memorial will add great value to the neighborhood where Philadelphians of all ages can visit, learn and benefit from the stories it will tell.”

The City first established the Committee in 2017, but many members of the Committee and the community have been advocating for the Bethel Burying Ground Memorial for more than a decade. The Committee is comprised of stakeholders which include: OACCE’s Chief Cultural Officer Kelly Lee and Public Art Director Margot Berg; Friends of the Bethel Burying Ground Coalition members Michael Coard, Esq. and Karen Warrington; historian Diane Turner, PhD.; descendants of the interred Stephanie Gilbert and Yvonne Studevan; Queen Village Neighborhoods Association President Eleanor Ingersoll; Friends of Weccacoe Playground representative Duncan Spencer; First Episcopal District of the A.M.E. Church Presiding Bishop Gregory G. M. Ingram; Mother Bethel AME Church Reverend Mark Tyler and Archivist Margaret Jerrido; and public artists Ife Nii Owoo and Louis Massiah.

The Committee acknowledges the contribution of Terry Buckalew, former Committee member and an integral part of the project. In 2010, Terry brought the existence and history of Bethel Burying Ground to the attention of the City. His ongoing research sheds light on the lives of those buried there.

In June 2018, the City officially announced plans to develop the site-specific public art memorial. A series of four preliminary community engagement sessions were held in November 2018 to gather public input on the emotions, reactions, and stories the public art memorial should invoke. In October 2019, a meeting was held for artists and design professionals to connect to develop a collaborative approach to respond to this public art opportunity.

A national Request for Qualifications / Call to Artists was issued in November 2019. Twenty artist teams applied. The City and the Committee selected five semi-finalist artist teams in January 2020 to create design concepts. Four of those artist teams submitted proposals. The semi-finalist lead artists representing the four teams were Muhsana Ali, Shawn Theodore Jackson, Karyn Olivier, and Sara Zewde. The City and the Committee hosted a series of four community engagement sessions and invited Philadelphians to provide input on these design concepts through an online input form from January 14-February 5, 2021. The input forms received 1,087 submissions and ranked each of the four artist team proposals by how well each met eight criteria – goal, history, engagement, learning, audience, setting, appearance, and concept.

The feedback from these community engagement sessions and the online input forms were summarized and provided to the Committee for consideration in the final selection process. At a Committee meeting in February 2021, each of the four artist teams presented their memorial design to the Committee. The Committee then deliberated and selected Karyn Olivier’s proposal as the winning Bethel Burying Ground Memorial design.

“The City thanks the many members of the community who advocated for the Bethel Burying Ground Memorial and participated in the community engagement process to select the winning design by Karyn Olivier,” said the City’s Managing Director Tumar Alexander. “Thanks to your input and dedication, this public art memorial will pay respect to those laid to rest at this historic site and the stories they represent.”

To learn more about the Bethel Burying Ground Historic Site Memorial, visit

About the Artist
Karyn Olivier is a Philadelphia-based artist who creates sculptures, installations and public art. Her work often intersects and collapses multiple histories and memories with present-day narratives. Olivier has exhibited internationally and has created large-scale commissioned work in the past for Monument Lab, Creative Time, and New York City and Philadelphia’s Percent for Art program. Olivier is currently an associate professor of sculpture at Tyler School of Art and Architecture at Temple University.

About the Artist Team
Members of Karyn Olivier’s team for this project include David Hassinger, KS Engineers, P.C.; Todd Woodward, SMP Architects; Darrell Choates Sr., Choates General Contracting LLC; Scott Ritchie, SMP Architects; Todd Woodward, SMP Architects; Julie Bush, Ground Reconsidered; and Doug Mooney, AECOM.

About the Bethel Burying Ground Historic Site Memorial Committee
The mission of the Bethel Burying Ground Historic Site Memorial Committee is to develop a meaningful memorialization of the historic site that reflects its role in Philadelphia’s history. Committee members and the project are committed to an inclusive public engagement process in the development of a purposeful portrayal of this historic site that reveals this vital story and celebrates those laid to rest there. 

About City of Philadelphia’s Office of Arts, Culture and the Creative Economy
The Office of Arts, Culture and the Creative Economy closes the gap in access to quality cultural experiences and creative expression through the support and promotion of arts, culture and the creative industries; connecting Philadelphians to enriching, arts-infused experiences; linking local artists and cultural organizations to resources and opportunities; and preserving the City’s public art assets. For more information about the Office of Arts, Culture and the Creative Economy, visit and follow @CreativePHL on FacebookTwitter and Instagram.